272
5.8
正片
困在心绪里的儿子
5.8
上映时间:08月09日
主演:休·杰克曼,劳拉·邓恩,凡妮莎·柯比,泽恩·麦格拉思,安东尼·霍普金斯,休·夸希,礼萨·迪亚科,威廉·霍普,乔基姆·斯卡利,小田部阿基,Julia Westcott-Hutton,Isaura Barbé-Brown,Danielle Lewis,Kenny-Lee Mbanefo,Rene Costa,埃里克·海登,雷切尔·汉德肖,陈信妃
简介:  休·杰克曼和劳拉·邓恩将主演新片《儿子》(The Son),是热门冲奥片《困在时间里的父亲》导演佛罗莱恩·泽勒执导,依旧改编自他创作的同名戏剧,并同克里斯托弗·汉普顿一起写剧本。泽勒的“家庭三部曲”目前已经有两部影视化。
  《父亲》探索老年痴呆症对情感的毁灭性影响,《儿子》则聚焦青少年抑郁症,讲述彼得(杰克曼)和新的伴侣及刚出生不久的孩子过着忙碌的生活,当前妻凯特(邓恩)带着他们处于青春期、充满困扰和愤怒的儿子尼古拉斯出现后,一切变得混乱不堪。
  彼得努力成为一个更好的父亲,用亲密的家庭幸福时刻来帮助儿子,但尼古拉斯的状态让这个家庭走上了一条危险的道路,他们必须尽一切努力来维系团结一致的纽带。
272
正片
困在心绪里的儿子
主演:休·杰克曼,劳拉·邓恩,凡妮莎·柯比,泽恩·麦格拉思,安东尼·霍普金斯,休·夸希,礼萨·迪亚科,威廉·霍普,乔基姆·斯卡利,小田部阿基,Julia Westcott-Hutton,Isaura Barbé-Brown,Danielle Lewis,Kenny-Lee Mbanefo,Rene Costa,埃里克·海登,雷切尔·汉德肖,陈信妃
298
0.0
正片
便携门
0.0
上映时间:08月09日
主演:米兰达·奥图,山姆·尼尔,克里斯托弗·瓦尔兹,杰西卡·德·古维,苏菲·王尔德,瑞切尔·豪斯,达蒙·海瑞曼,帕特里克·吉布森,吴育刚,克里斯多夫·萨默斯,林晓杰,克雷格·英汉姆,Sharon Brooks,Nathalie Oliveira,Peter Phan,Jason Wilder
简介:  克里斯托弗·沃尔兹和盖·皮尔斯加盟奇幻冒险喜剧片《便携门》(The Portable Door)。杰弗里·沃克(《难处之人》《暴动彩虹》)执导,帕特里克·吉布森(《先见之明》《托尔金》)主演,弧光影业正在#柏林电影节#卖片。改编自Tom Holt的奇幻小说,设定在一个有魔法的世界,神秘的伦敦公司J.W. Wells & Co.。瓦叔饰迷人的反派——该公司的CEO Humphrey Wells,他想在古老的魔法习俗中引进现代化的公司策略,Dennis Tanne(皮尔斯)是一个能变形的哥布林妖精,公司的中层管理人员。而一个无足轻重、被呼来喝去的年轻实习生Paul Carpenter(吉布森)将要发现自己公司的真正秘密,原来是一家邪恶组织,“他以为老板们不在的时间里,有一半是跟精灵们待在一起,结果当然不是,他们是跟妖精为伍……”
298
正片
便携门
主演:米兰达·奥图,山姆·尼尔,克里斯托弗·瓦尔兹,杰西卡·德·古维,苏菲·王尔德,瑞切尔·豪斯,达蒙·海瑞曼,帕特里克·吉布森,吴育刚,克里斯多夫·萨默斯,林晓杰,克雷格·英汉姆,Sharon Brooks,Nathalie Oliveira,Peter Phan,Jason Wilder
175
0.0
正片
倒计时
0.0
上映时间:08月09日
主演:珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
简介:

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

175
正片
倒计时
主演:珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
49
5.5
正片
大力士:乔治·福尔曼
5.5
上映时间:08月09日
主演:克里斯·戴维斯,贾思敏·马修斯,沙利文·琼斯,小拉里·吉拉德,约翰·马加罗,山姆·特拉梅尔,索尼娅·孙,福里斯特·惠特克,谢恩·玛姆帕米尔,罗伯特·奇基尼,马修·格拉夫,艾丽卡·塔泽尔,德韦恩·巴恩斯,迪昂·史密斯,K·斯蒂尔,奥斯汀·大卫·琼斯,乔丹·亚伯勒,菲利普·福纳,阿尔·萨皮恩扎,布赖恩·易卜生,凯伊,贾德·罗德曼,汤姆·维图,迪内·泰勒,T·C·马特恩,朱莉娅·拉雪,马丁·巴特斯·布拉德福德,萨曼莎·博利厄,埃里克·汉森,迈克尔·帕帕约翰,马修·里默,比利·斯洛特,拉腊·格赖斯,迈克尔·哈瑞蒂
简介:  讲述美国著名拳击手【乔治·福尔曼】的一生
49
正片
大力士:乔治·福尔曼
主演:克里斯·戴维斯,贾思敏·马修斯,沙利文·琼斯,小拉里·吉拉德,约翰·马加罗,山姆·特拉梅尔,索尼娅·孙,福里斯特·惠特克,谢恩·玛姆帕米尔,罗伯特·奇基尼,马修·格拉夫,艾丽卡·塔泽尔,德韦恩·巴恩斯,迪昂·史密斯,K·斯蒂尔,奥斯汀·大卫·琼斯,乔丹·亚伯勒,菲利普·福纳,阿尔·萨皮恩扎,布赖恩·易卜生,凯伊,贾德·罗德曼,汤姆·维图,迪内·泰勒,T·C·马特恩,朱莉娅·拉雪,马丁·巴特斯·布拉德福德,萨曼莎·博利厄,埃里克·汉森,迈克尔·帕帕约翰,马修·里默,比利·斯洛特,拉腊·格赖斯,迈克尔·哈瑞蒂